Artist Spotlight: Wes Hemphill: Last Part

Adam #1

Joe Mostly Recovered From the Accident, 2011 (study)

 

 Tell us more on this one.
The model, Joe M., was a student at the University of Arizona in Tucson, where Jack and I spend winters. He’d recently been in an accident, the nature of which I should leave to him to disclose. I thought this image conveyed something of his climbing out of that circumstance and of his natural beauty, which, as the viewer can see, remains intact

Hardly Boys: Still Waters (#511), 2010, a collaboration between Wes Hempel and Jack Balas

 

How About Now? (study)

Camping on Vermeer. Tell us more on this.
I was initially drawn to the Vermeer interior because of the extraordinary quality of light. But I’m also playing around with the contemporary painter George Deem’s campy idea of How to Paint a Vermeer (title of a book of his paintings). So the piece may be humorous on various levels. And yet I think there’s a poignancy lurking underneath that has to do with the portrait on the wall (the same person as a boy?) and the way the young man presents himself now.

Decision, 2011

So what is the decision here, and can you talk about the pre-Raphealite influences?
The female figures are taken from Maxfield Parrish’s 1912 illustration for the Sleeping Beauty fairy tale. In the original story, the prince kisses Sleeping Beauty and awakens her from her trance. But this particular “prince” (our model Sye), having arrived late on the scene, seems to have trouble making up his mind what to do next. A decision seems to be in order, but it’s left to the viewer to imagine what is going through the young man’s mind as he squints into the distance, clenching his hands.

 

Artist Spotlight: Wes Hemphill: Part 3

Return (2007)

Sleepy Time, 2011

Song of Birds, 2005, a collaboration between Wes Hempel and Jack Balas

 

Spell, 2003

 Hempel: Another take on a Maxfield Parrish fairy tale, this time the 1912 Hearst Magazine cover illustration of the Snow White story. I’ve replaced the sleeping maiden with our model Toby.

 

Artist Spotlight: Wes Hemphill: Part 2

Magnolias, 2011

Hempel: A take on a painting by the same name by Venezuelan painter Pedro Centeno Vallenilla (born: Barcelona 1904, died: Caracas 1988). As part of my ongoing project of reenvisioning art history from a gay perspective, I’ve replaced the nude female in the original (lying on the branch to the left) with a nude male.

 

Farewell #5

Birthday, 2005, a collaboration between Wes Hempel and Jack Balas

 

 Can you tell us a little about working in collaboration with your partner, Jack Balas?
I usually work out my ideas fairly comprehensively before committing paint to canvas, but occasionally I run into problems. Living with another artist means I have someone to consult with, and Jack is often more inventive visually than I am and more adventurous when it comes to imagery. He can think spontaneously in spatial terms, which means he has a fuller visual vocabulary than I do. Sometimes his ideas are so good, it makes more sense for him to just take over the painting. The canvas then goes from my studio to his (we never work on a piece together in the same space), and I relinquish control to him, which I admit is scary. Almost always, though, I’m delighted with the end result.